“It ain’t that much about American or black music as it’s about the blues,” Big Creek says. “The blues should be a universal feeling, and a world patrimony. Why I play them in this style – old, black, American – has something to do with the way I am. I always liked to find the roots of things. I also search for the roots of Scandinavian culture. I played a lot of Irish traditional music, and the roots of Brazilian samba fascinate me.”
At the roots of the blues, Big Creek found a blend of power and simplicity and, ultimately, a spiritual essence.
“The thing that inspired me so about old blues and folk music is the strong sound. Less is more if you play it with attitude. The sound of the Delta blues carries me to a more primitive state of mind, and I get to cut the cheese out of my life, if you know what I mean,” he says.
Keep My Belly Full, his third CD, following 2015’s Hope for My Soul and the out-of-print Ninety-Nine and a Half from 2012 (available by download only). As high school and college students progress onward from their freshman year, by the time they’re juniors, they know what’s what. They’re upperclassmen, and Slim is definitely an upperclassman of traditional and contemporary electric blues: “The sound of the Delta blues carries me to a more primitive state of mind, and I get to cut the cheese out of my life, if you know what I mean,” his promotional materials reveal. – Blues Blast Magazine